In 1825, the French National Printing Office adapted the type used by Royal Printing Office in the past, and claimed the type as the work of Claude Garamond. After the French government raided Jannon’s printing office, Cardinal Richelieu named Jannon’s type Caractère de l’Université, and it became the house style of Royal Printing Office. In 1621, sixty years after Garamond’s death, the French printer Jean Jannon issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. The only complete set of the original Garamond dies and matrices is at the Plantin-Moretus Museum, in Antwerp, Belgium. When Claude Garamond died in 1561, his punches and matrices were sold to Christophe Plantin, in Antwerp, which enabled the Garamond fonts to be used on many printers. The italics of most contemporary versions are based on the italics of Garamond’s assistant Robert Granjon. Garamond based much of his lowercase on the handwriting of Angelo Vergecio, librarian to Francis I. Garamond probably had seen Venetian old-style types from the printing shops of Aldus Manutius. The French court later adopted Garamond’s Roman types for their printing and the typeface influenced type across France and Western Europe. Garamond typefaces offer elegance and readability, making them suitable for a wide range of applications.Ĭlaude Garamond (1480-1561) came to prominence in the 1540s, first for a Greek typeface he was commissioned to create for the French king Francis I, to be used in a series of books by Robert Estienne. Garamond is the name of a family of old style serif typefaces.
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